The Rolling Stones - Jumping Jack Flash
Oil Well RSC 012 CD01. All Down The Line [04:20]
02. You Can't Always Get What You Want [07:50]
03. Midnight Rambler [12:15]
04. Bye Bye Johnny [03:21]
05. Rip This Joint [02:41]
06. Love In Vain [06:18]
07. Sweet Virginia [04:25]
08. Jumping Jack Flash [03:13]
Note:
All songs by Jagger/Richards unless otherwise noted
Live at Madison Square Garden. New York - 26th July 1972
Lineup:
Mick Jagger — vocal, harmonica
Keith Richards — guitar, vocal
Mick Taylor — guitar
Bill Wyman — bass
Charlie Watts — drums
Nicky Hopkins — piano
Bobby Keys — saxophone
Jim Price — trumpet, trombone
Ian Stewart — piano on "Bye Bye Johnny"
This album is a digital clone of: "Welcome To New York!" - The Swingin' Pig - TSP-CD-038.
One well known and one of the first bootleg from The Rolling Stones' 1972 American Tour.
This album contains part of the fhe final show at the Madison Square Garden in New York from 26th June 1972. Mick Jagger was celebrated on stage on his 29th birthday. It is a very good live recording from an excellent show; althought it only has 8 tracks. Now you can fine more complete versions.
On the front cover Mick Jagger performing live during a 1972 show.
Read below for more information on the concert.
Audio quality:
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Rolling Stones - MSG 1972: "Welcome To New York"
The Madison Square Garden performance on July 26, 1972 is one of those fine moments in Rolling Stones live recorded history. Perhaps it's the fact that it was Jagger's 29th birthday that made such a difference. The energy and delivery of the performance is captured in an incredible "line" soundboard stereo recording. The "wide" stereo separation features Richards and keyboards on the left, Taylor on the right, drums and vocal in the middle, and horns split between the two channels. Interestingly enough it's the original vinyl discs that provide the basis for sound benchmarks of the CD recordings.
The reason for this is that the tape source for the incredible vinyl LP's first issued by Trade Mark of Quality (TMoQ) out of greater Los Angeles county has never turned-up in tape trading circles. With this in mind one can only look for the finest sound reproduction on CD's made from the old LP's. The finest CD copy of the original "Welcome To New York" LP ends up on an unusual recording and not The Swingin' Pig as one might expect. The original LP's were issued by the TMoQ label in several variations with matrix numbers that identify original mono issues from later "wide" stereo issues. The running order of the songs also varies from the original RS-546 matrix number.
A great inspired performance captured in the sterile confines of soundboard wire connected directly to the instruments and closely mic.'d brass and vocals. It provides a revealing look at the true musicianship of all the players in the band who put on a flawless performance for the New York crowd. A wonderful time capsule of the band, with this configuration of musicians, arguably at it's peak. http://www.rollingstonesnet.com/Welcome_To_NY.htm
The Rolling Stones American Tour 1972 was a much-publicized and much-written-about concert tour of the United States and Canada in June and July 1972 by The Rolling Stones. Constituting the band's first performances in the United States following the Altamont Free Concert in December 1969, critic Dave Marsh would later write that the tour was "part of rock and roll legend" and one of the "benchmarks of an era."
No live album was released from the tour at the time, although one was planned as far as having a front and back cover designed and studio touch-ups being made on several recorded tracks. Eventually, the album was shelved due to contractual disputes with Allen Klein.
Two films of the tour were produced. The concert film Ladies and Gentlemen: The Rolling Stones! only saw a limited theatrical release in 1974. Aside from an Australian VHS release in the early 1980s, it wasn't officially available on home video until 2010. The film's complete soundtrack was released as an album by Eagle Records/Universal in 2017.
Notably absent was anything from before 1968 in the Stones' catalog save for the occasional presence of "(I Can't Get No) Satisfaction". This tour also marked the banishment of their dark epic "Sympathy for the Devil", which had been wrongly associated with the killing at Altamont, from Stones' American performances for much of the 1970s.
The tour grossed a then-record of $4 million (US$23,958,632 in 2018 dollar
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