Allman Brothers Band - Hot Atlanta Oil Well RSC 139 CD

Allman Brothers Band - Hot Atlanta
Oil Well RSC 139 CD

1 Statesboro Blues 4:10
2 One Way Out 4:52
3 Whipping Post 18:59
4 You Don't Love Me 17:02
5 Midnight Rider 3:36
6 Hot Atlanta 5:58
CD - 55 mins

Note:
All songs by Allman/ Allman/ Betts/ Oakley/ Johanson unless noted
Live In New York City, NY - December 13, 1971

Track 1 recorded live at the Atlanta International Pop Festival on 7/5/1970
Tracks 2,3,4,5,6 recorded live at Fillmore East, New York City on 6/27/1971

Lineup:
Duane Allman: slide guitar and lead guitar
Gregg Allman: vocals, organ
Dickey Betts: lead guitar
Berry Oakley: bass guitar
Butch Trucks: drums
Jai Johanny "Jaimoe" Johanson: drums, congas
Thom Doucette: harmonica

This bootleg is a clone of Midnight Rider - MRL 054 by Fabbri Editori
Another great bootlegs for fans. The first publication to have material from concerts officially published only many decades later. High audio quality in reference to the recordings of the time and dilated songs that are affected by the great improvisation skills of the American band. The star of the shows is always the guitar of Duane Allman, one of the greatest guitarists of his time.
This Oil Well version has a fine cover, fine quality. Limited to 200 copies only.
Due to its rarity and good quality, this disc is recommended.
On the front cover the 1973 lineup of the band with Gregg Allman / Dickey Betts / Butch Trucks / Jaimoe / Chuck Leavell / Lamar Williams. Soundboard recording.
Recommended songs: Statesboro Blues, Midnight rider, You Don't Love Me and Hot Atlanta.

Audio quality: 
Quality content: 

 © Official released material:

Track 1 has been released officially on: Live at the Atlanta International Pop Festival: July 3 & 5, 1970 
Tracks 2-6 have been released officially on: The 1971 Fillmore East Recordings 
________________________________________________________________

Live at the Atlanta International Pop Festival: July 3 & 5, 1970 
Live at the Atlanta International Pop Festival: July 3 & 5, 1970 is a live album released by the Allman Brothers Band. It features their two performances at the 1970 Atlanta Pop Festival in Byron, Georgia. The festival took place nearly a year before the concerts that appear on At Fillmore East. Highlights include a "Mountain Jam" on which Johnny Winter guests.

While the album cover and second disc are labeled as being July 5, the second performance did not take place until 3:50 AM on the 6th according to the liner notes.

For the first time anywhere -- officially or not -- two (mostly) complete performances by the Allman Brothers at the Atlanta International Pop Festival over the Fourth of July weekend (they were the bookends of the fest) in 1970 have been issued with stellar sound, complete annotation and cool liner notes. The festival took place while the Allmans were in the process of recording their second album, Idlewild South, when they appeared on July 3 as the hometown openers of the entire festival and proceeded to blow the minds of over 100,000 people -- for their last set on July 5 at 3:50 a.m. they performed in front of as many as 500,000. Musically, other than a somewhat stiff version of "Statesboro Blues," the July 3 set is magical.

The importance of the Atlanta Pop recordings to the Allman's legacy cannot be overstated. The twin discs predate the historic Live at Fillmore East double album by nary a year, offering initial proof of the band's brilliance on stage. Additionally, the festival footage captures the original lineup at its early peak, providing a rare glimpse back into history as the band dynamic would be changed soon after with the tragic, and eerily similar, deaths of Duane Allman and Berry Oakley in 1971 and 1972.

Allman Bros at Fillmore East on 6/27/1971
Opened on March 8, 1968, Bill Graham's Fillmore East hosted rock royalty that included Jimi Hendrix, Janis Joplin, Eric Clapton, the Byrds, Led Zeppelin and the Grateful Dead. Joe Cocker and the Allman Brothers Band recorded groundbreaking albums from its stage. But Graham, tired of the direction taken by the concert industry, closed the hall after an epic weekend that ended June 27, 1971. The June 25-27 shows were headlined by the Allmans and featured bluesman Albert King, who had played the venue's debut show, and the J. Geils Band. The June 26 show closed with a marathon performance by the Allmans that lasted well into Sunday morning. "That was a special show," guitarist Dickey Betts told Rolling Stone.

"We played until daylight that morning. I remember it was dark in there, and when they opened the door, the sun about knocked us down. We didn't realize we had played until seven, eight o'clock in the morning. Bill Graham just let us rattle and nobody said, 'We gotta cut the time.' It was just a really free kind of thing."
"We played for roughly seven straight hours with everything we had," added drummer Butch Trucks.

"We played a three-hour set and then came back out. The feeling from the audience, not necessarily the volume, but the feeling was just so overwhelming that I just started crying. Then we got into a jam ... that lasted for four straight hours. Nonstop. And when we finished, there was no applause whatsoever. The place was deathly quiet. Someone got up and opened the doors, the sun came pouring in, and you could see this whole audience with a big s----eating grin on their face, nobody moving until finally they got up and started quietly leaving the place. I remember Duane [Allman] walking in front of me, dragging his guitar while I was just sitting there completely burned, and he said, 'Damn, it's just like leaving church.'"

"The next night Bill came running over, grabbed me around the neck so hard it hurt and said, 'Thank you, thank you, thank you, for that show,'" Trucks told Forbes. "'It made all the years of crap I had to put up with worth it.' And I’ll never forget what he said next: 'If I had my way, when you finished this morning I would be sealed up in my bubble and gone off to wherever I’m going.'"

The final show on June 27 was an invitation-only event. The show, marred by bomb scares earlier that day, was simulcast live by New York FM radio stations WNEW and WPLJ. The scheduled acts were joined by special guests Edgar Winter's White Trash, Mountain with Leslie West, Country Joe McDonald and the Beach Boys. The book Live at the Fillmore East & West offers a glimpse behind the scenes.

"The Fillmore East was everybody's favorite gig to play," Betts recalled on In the Studio. "It was the Carnegie Hall of rock 'n' roll. Bill Graham made a very great presentation of rock 'n' roll, with the light shows and the curtains and the presentation of the bands and the set changes. But the Fillmore East wasn't big enough to pay any of the bands what they made other places. I think the general feeling among anyone who played there was even though we could be playing somewhere else for three times the money, we'd rather come to the Fillmore East and play because it's such a great place to play."
http://ultimateclassicrock.com/fillmore-east-closes/

The Allman Brothers Band a biography
The Allman Brothers Band was an American rock band formed in Jacksonville, Florida in 1969[2] by brothers Duane Allman (founder, slide guitar and lead guitar) and Gregg Allman (vocals, keyboards, songwriting), as well as Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass guitar), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). The band incorporated elements of blues, jazz, and country music, and their live shows featured jam band-style improvisation and instrumentals.

The group's first two studio releases, The Allman Brothers Band (1969) and Idlewild South (1970) (both released by Capricorn Records), stalled commercially, but their 1971 live release, At Fillmore East, represented an artistic and commercial breakthrough. The album features extended renderings of their songs "In Memory of Elizabeth Reed" and "Whipping Post", and is considered among the best live albums ever made.

Group leader Duane Allman was killed in a motorcycle accident later that year – on October 29, 1971, and the band dedicated Eat a Peach (1972) to his memory, a dual studio/live album that cemented the band's popularity and featured Gregg Allman's "Melissa" and Dickey Betts's "Blue Sky". Following the motorcycling death of bassist Berry Oakley exactly one year and 13 days later on November 11, 1972, the group recruited keyboardist Chuck Leavell and bassist Lamar Williams for 1973's Brothers and Sisters. This album included Betts's hit single "Ramblin' Man". These tunes went on to become classic rock radio staples, and placed the group at the forefront of 1970s rock music. Internal turmoil overtook them soon after; the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.

The band reformed once more in 1989, releasing a string of new albums and touring heavily. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with bassist Oteil Burbridge and guitarists Warren Haynes and Derek Trucks (the nephew of their original drummer) and became renowned for their month-long string of shows at New York City's Beacon Theatre each spring. The band retired for good in October 2014 after their final show at the Beacon Theatre.

Butch Trucks died of a self-inflicted gunshot wound on January 24, 2017, in West Palm Beach, Florida, at the age of 69. Gregg Allman died from complications arising from liver cancer on May 27, 2017, at his home in Savannah, Georgia, also at the age of 69. The band has been awarded seven gold and four platinum albums, and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004

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