Pink Floyd - Eugene - RSC 105 CD Oil Well

Pink Floyd - Eugene
RSC 105 CD Oil Well

1. Careful With That Axe, Eugene 8:50
2. Cymbaline 13:31
3. Looking Through The Knothole  12:03
4. Granny's Wooden Leg     11:59
5. Echoes    12:43
Total Time:59:08

Note:
All songs by Watrrs/ Wright/ Mason/ Gilmour
Live in Washington, DC - November 16, 1971  Vol.2

Lineup:
Roger Waters (vocals, bass)
David Gilmore (vocals, guitar)
Richard Wright (keyboards)
Nick Mason (drums)

This album is a digital clone of: "Process Of Creation" -  Highland – HL250/51 CD2
This is Volume II of the set. Volume I is "Fat Old Sun". The two comprise the complete 71-11-16 DC show. Track listings are off. ROIO actually opens with OOTD. The tracklist on the rear of the CD is totally wrong as for other bootlegs of the time released by Oil Well label.
On the front cover: color shot of Waters and a shirtless Gilmour looking just off camera as if interupted while playing.

Track 1 is listed "Careful With That Axe, Eugene", but it's in fact "One Of These Days"; Cymbaline is Careful With That Axe, Eugene; Looking Through The Knothole is Cymbaline; Granny's Wooden Leg is Echoes Part 1.

Audio quality: 
Quality content: 
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Live in Washington, DC - November 16, 1971  
Pink Floyd’s November 16th show in Washington DC was one of the most requested show to be released. It is a very good to excellent tape of the complete show from Floyd’s autumn tour and is interesting for being right before they entered Abbey Road Studios to record Dark Side Of The Moon.  It has startling clarity and the attentive audience don’t interfere with the enjoyment of the performance.  There are times throughout the show when the right channel is favored over the left but it’s never distracting.  It was released previously on The Return of the Sons of Nothing on Gold Standard with a really nice upgrade on Process Of Creation(Highland HL250/251).  Sigma smoothed over some of the rough spots on the tape, notably the gap between “The Embryo” and “Fat Old Sun”.

This is an excellent performance! "One Of These Days" is a killer! They played it with an extended part (just before the "One Of These Days I'm Going To Cut You Into Little Pieces" words),
Rick playing strange effects with his keyboards. One of the very last live performances for
"Cymbaline", never played after 1971. The "footsteps sequence" during "Cymbaline" is one of the longest and with a laughing woman in the middle. During the last verse, David Gilmour misses some lyrics two times, probably because of something "funny" that made him laugh.
 "Echoes" is very similar to the "Live At Pompeii" version (the Pompeii's sessions took place one month before, in October 1971). Even the splitting in two parts is the same part 1 ends just before the "pterodactyls" sounds.

The 1971 Meddle tour 
The 1971 Meddle tour was a short concert tour by the British band Pink Floyd. It began in October 1971 and ended in November of the same year. It was intended to promote their new album Meddle in the United States and Canada, however some of the album's material had already been played during the band's Atom Heart Mother World Tour. The practice of playing songs before their official release later became a tradition for the group following the Meddle tour. The set list played during the tour was varied, with the band playing material from their previous albums A Saucerful of Secrets, More, and Atom Heart Mother, plus the newly released Meddle. The tour would also feature the final time "Embryo", "Fat Old Sun" and "Cymbaline" would be played by the band live.

This bootleg is from Pink Floyd’s most extensive North American tour to date. This album features a very nice recording from Lisner Auditorium, Washington DC show on November 16, 1971 It’s just another stop along the tour but the band sounds incredible.  You can tell their having a good time.

Lisner Auditorium, George Washington University, Washington DC. USA 16th November 1971
November 16 from the late 1971 tour Washington DC USA USA High Performance Stereo Audience collection. This live is a live take that was made into a soundboard for the first time in the 1990’s, firstly in March 1994, it first appeared in the famous Sorcipio GOLD STANDARD board in the past. Since 1998, the HIGHLAND board (probably Copy remaster board), and in recent years Sigma board in 2009, the major release is unexpectedly few live, is not there some people who do not have unexpected . For the small amount of release, it is very excellent in sound quality, and it is a freshness sound source which is definitely located in the upper part even in the 1971 sound source.

This time it is not a net, it is converted into a CD based on the digitized master from LOW GEN tapes (overseas 1st or 2nd Genes unknown) provided by overseas fans.
Currently we have several sources of this sound source on the net, but the fact is that the actual situation is a copy of the previous Scorpio’s board (credited with Unk Gen – CDR) as opposed to the sound source history, it is obvious There is no surprisingly new novelty that it is a degraded sound source (version titled Something from Nothing), and at present it is completely familiar to Floyd Fan and I think that the sound source of Genes unknown uploaded by Mr. Neon Knight is better on the net .
Although it seems that the sound source of this title seems to be quite close to Mr. Neon Knight’s version, depending on the music depending on the music, whether it is due to noise reduction or whether it is due to the tape deck at the time of digitization Although it is somewhat bad, the version adopted for the main board is somewhat conspicuous in Hiss, but overall it is clearly said to be clear.
By the way, as for the truck which the comic book is superior because it is coming with Mr. Neon’s sound, the track of “The Embryo”, “Fat Old Sun”, “Set The Controls”, “Cymbaline”, “Echoes” 5 tracks. In “AHM” freshness is equal to each other, but on the contrary Mr. Neon’s sound source has somehow conspicuous many hiss. The “wind blowing wind” is almost the same clearness, but the difference that Mr. Neon’s sound source is lower frequency range is the difference. In addition, although the first-come-first-served GOLD STANDRAD board has less hiss as a whole, with a slightly lacking sound in the loudness of the sound and the lack of sound, the editing is characteristic of this label.

Regarding the contents recorded in this edition, it is roughly equivalent to the past record and there is no initial appearance part, but there were several parts in Disc 2 as duplicate cuts (it is recorded again a little before the cut) as a feature of the sound source of this day , This time carefully edited the overlapping cut part, the corresponding part was recovered uncut. Points are “Eugene”, “Cymbaline”, “Echoes” intro section, “Cymbaline” Clap around 9 minutes 20 seconds. In the past record, I think that this is the first title that was restored politely and smoothly like this time, because the corresponding duplicate place is removed zakkuri, fading in, or duplicate recording is intact. In addition to that, there are cuts in the songs in the middle of “AHM” 12 minutes 32 seconds, “Blowing Wind” 0 minutes 9 seconds, “Eugene” 12 minutes 39 seconds, “Echoes” 12 minutes 8 seconds respectively Since there is only a single source, there is no compensation for the cut part, so do not be afraid. In addition, “Fat Old Sun” 4 minutes 3 seconds – 6 minutes 23 seconds interval, the left channel turned off, so we made it monaural so as not to feel uncomfortable. Besides, there is a part where the balance of the left and right is biased, but it was judged that there is almost no problem.
Although the appealing point is slightly plain, it is the appearance of a title that can be asserted as the decision board at the moment in ’71 Washington Performance!


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