The Rolling Stones – Secret Garden Oil Well – RSC 074

The Rolling Stones – Secret Garden
Oil Well – RSC 074

1 Jumping Jack Flash 6:24
2 Prodigal Son 4:01
3 You Gotta Move 3:19
4 Carol 3:32
5 Symphaty For The Devil 6:54
6 Stray Cat Blues 4:17
7 Love In Vain 5:18
8 I'm Free 4:35
9 Under My Thumb 3:11
10 Midnight Rambler 8:19
11 Live With Me 3:59
12 Little Queenie 3:56
13 Satisfaction   6:56
14 Honky Tonk Woman 4:15
15 Steet Fighting Man 4:03

Note:
All songs by Jagger/Richards unless noted
Live in Oakland, CA - November 9, 1969

Lineup:
Mick Jagger – lead vocals, harmonica
Keith Richards – guitar, backing vocals
Mick Taylor – guitar
Bill Wyman – bass
Charlie Watts – drums
Ian Stewart – piano

This album is a digital clone of: Bring It Back Aliver - Gold Standard released in 1994
Live in Oakland, CA - November 9, 1969 (first show).

A change in the setlist order (after JJF they continued with the acoustic tracks Prodigal Son and You Gotta Move) was necessary due to power failure during the first song. Please note that: Honky Tonk Women and Street Fighting Man are switched on the back cover.  I'm Free is faded in (first seconds missing.  This is one of the best known and most connected concerts in the history of the Stones. The audio quality is unfortunately very low but allows you to appreciate the guitar evolutions of the newcomer Mick Taylor and his exchange with Keith Richards. 1969 was perhaps the golden year for the live RS, the beginning of the conquest of the stages with a show focused on the group's great classics and the most recent publications. Great versions of Jack Flash, Stray Cat and I'm Free here
On the front cover Keith Richards performing during a 1972 show.

Audio quality: 
Quality content: _____________________________________________________________________

Oakland, CA - November 9, 1969 (first show)

This concert has been recorded during one of the first dates of Stones' American tour of 1969.
A well-known show from the tour was the second concert in Oakland, California on 9 November, which was captured on Live'r Than You'll Ever Be, one of the first-ever live bootleg recordings. In Oakland  The Rolling Stones performed two sets that night and it is the second concert that was more heavily bootlegged and has sharper sound but on this bootleg you have the first show. 

Live'r Than You'll Ever Be was recorded by "Dub" Taylor from Trademark of Quality using a Sennheiser shotgun microphone and a Uher "Report 4000" reel-to-reel tape recorder. It was the first audience-recorded rock bootleg to be mastered and distributed; some sources consider it the first live bootleg.Though the sound is not nearly as clear as the official release of Get Yer Ya-Ya's Out!, the recording is considered to be very strong for an audience recording, especially one of that era. Bootleggers had collaborated to record Stones shows across the United States, recording them on two-track Sony recorders for months prior to the release of the album. At least one source claims that the recordings initially came from rock promoter Bill Graham's staff, who used the tapes for broadcast on KSAN and released their edit on Lurch Records in early 1970.

The recording has been released through several bootleg labels, including the original release by Lurch and shortly thereafter Trademark of Quality (catalogue number 71002), Swingin' Pig, and Sister Morphine, usually documenting only the second set. The recording was made available about one month after the concert, and it became popular enough to spur speculation that the Stones released Get Yer Ya-Ya's Out! The Rolling Stones in Concert's as a response to the bootleg and the quality was high enough that it was rumoured that the band had even released the bootleg themselves
.

American Tour 1969
This was the Rolling Stones' first US tour since July 1966, with the absence partly due to drug charges and subsequent complications. Instead of performing in small- and medium-size venues to audiences of screaming girls, the band was playing to sold-out arenas with more mature crowds that were ready to listen to the music.They used a more sophisticated amplification system, and lighting was overseen by Chip Monck. It was Mick Taylor's first tour with the band;
he had replaced Brian Jones that June, shortly before Jones's death, and had only performed one gig (the free concert in Hyde Park) with them before the tour.

The Stones make a claim for the high ground in 1969 with the Beatles broken-up and a new guitarist in the band whose main purpose is to facilitate touring and live performance which would have otherwise been doubtful with founding member Brian Jones whose ability to freely enter the US (drug busts) and play grueling consecutive nights and two shows a day would have been unpredictable at best. The Stones are more or less living together after the Hyde Park free concert on July 5, 1969. They stay at "Oriole House" in LA and are rehearsing at Stephen Stills' basement in Laurel Canyon prior to the tour launch on November 7, 1969. By the time they open in Colorado it's clear that this isn't the nervous unrehearsed line up that debuted in Hyde Park, they are loud and menacing. New guitarist Mick Taylor is blending in and band is coming together as a live force to be reckoned with. This is our journey through America 40 years on with "The Greatest Rock 'n' Roll Band In World"!

The tour began on 7 November with a warm-up show at Colorado State University, and then proceeded generally west to east, often playing two shows a night. The tour's second stop, at The Forum in Los Angeles, attracted national media attention as the outing's formal opening.[4] In his review of the shows on 27 and 28 November at New York City's Madison Square Garden, Francis X. Clines of The New York Times characterized the tour as "the major rock event of the year."

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